《千と千尋の神隠し》The Spiriting Away of Sen and Chihiro-warm the reality with the imagine

Come to an end in 2001, this city of more than a "house chinchillas," the model, it comes with the CD. As scheduled in the New Year holiday is bound to occur, the day it is warm, and the joy of the festive red banners just like to touch people's hearts.

In 2001, Hayao Miyazaki had completed his new animated film "Spirited Away", at the same time created another history of Japanese film at the box office record, in the enraptured eyes of the businessmen to evaluate the creativity of Hayao Miyazaki's the only parameter accumulated material is naked, notes the decision of all. Hayao Miyazaki is a money tree. His business right?

Hayao Miyazaki in 2001, continues to adhere to the principles of his hand-painting, a silent resistance to the spread of the machines processing industry, to fulfill the principles of art; in "Spirited Away" in the story will not repeat the past; adhere to that never had the creativity to change. He questioned the actions of mankind, constantly suspected of self-examination, he attempted to complete the creation of the mentality of their own, so in "Spirited Away" in his growth as a more realistic way of thinking. There is no doubt that Hayao Miyazaki is a true artist, in his fairy-tale world of reality to find a way out of it?

In 2001, I was standing on the eastern side of the Pearl River New City watched as the sun sets as usual, simple luxurious residential houses has been replaced by straight dirt road disappeared into a wide concrete road surface, vegetable lawn was festooned with adult workers, there is no feeling just as eager to find a happy return to the past "cats" like turn left. And behind is Hisaishi as "Princess Mononoke" Symphonic Poem creation, the East surging sorrow and lyrical, although this is not a surface suitable for the age of grief and lyricism.

Hayao Miyazaki animation in the world, he has left innocent children, and will be attached to a heavy thinking there is no pure adults. Thus, Hayao Miyazaki, the children with a fear of adults, with the use of their imagination.